Is data the key to AI shining in architecture, or will it eventually replace us?

"The core issue centers around the idea that creatives will be replaced by super-intelligent robots to design buildings, create art, or design vehicles.

Yet even as AI evolves across other design-related industries, AI could prove to do more good than bad, tackling the mundane so that you can augment your creative process. — Interesting Engineering"

Artificial Intelligence has already changed the nature of industries like manufacturing and cybersecurity. However, where does architecture fit into this mix? A harrowing concern is super intelligent robots may replace the creative practice and take over the design process that architects and designers spend years studying. However, with this new found accessibility in automation and AI, perhaps there is way for architects to view more pros than cons.

At the heart of AI is an understanding, processing, and translation of data. By processing massive amounts of data at a rapid rate, AI allows for fabrication and prototyping to happen in an instant. For an architect, the quick processing of data allows for more room to reinvest time in design. Countless hours of research goes into starting any new project and with the help of data, architects can acquire building codes and zoning data at the touch of a button.

As one of the largest byproducts of the 21st century, data is produced, accumulated, and used daily. Automation and technology is affecting architecture more than ever. Design exploration is made possible thanks to the use of these super computers. Forms and structures that would seem almost impossible are made possible thanks to programs like Grasshopper. Architecture's new buzzword, parametric design, allows for designers to create mesmerizing forms with the help of complex algorithms and geometric programming.

However, many are still skeptical at the ramifications AI has towards architecture. Natasha Luthra, AIA 2018 chair of the Technology in Architectural Practice states in a recent conference, "The entire industry could change on us on a dime, we have to find a way to get ahead of the revolution before we get flattened by it.”

Comments

ZUO Studio Uses All Bamboo Species Of Taiwan For This Seed-Looking Pavilion In Taichung City

Taiwanese architecture firm ZUO Studio has designed this pavilion by using all bamboo species of Taiwan that can be found in Taichung City. Named Bamboo Pavilion, the architects mixed all constructional techniques in dimension and weaving to give the pavilion a sense of timeless space that reflects consistency. Situated on a river in the fourth area of Fengyuan Huludun Park, the pavilion, covering a 1,570-square-metre area, has been designed as an exhibition hall sponsored by Taichung Real Estate Development Association. "Since the association is mostly composed by the greatest building construction companies, our main goal was how to combine their pure spirit with Flora Exposition, including care for physical and mental health, the devotedness in social benefit, and engineering method, with the strength and feature of the green building materials from Taiwan," said the architects. Since the architects are much more interested in the use of different construc

Ryo Kan hotel blends Mexican materials and Japanese traditions

Guests at this hotel in Mexico City , designed by local architect Regina Galvanduque, can bathe in rooftop jacuzzis, drink tea on tatami mats or find zen in its courtyard garden. Galvanduque, who runs GLVDK Studio , designed the Ryo Kan hotel for slender plot on Rio Panuco in the city's Cuauhtémoc neighbourhood. The surrounding area has become known as Little Tokyo, making it particularly apt for the hotel, which is intended as a fusion of "Japanese and Mexican identity and values". The hotel is named after "ryokan" – a traditional Japanese inn – and follows the country's hospitality approach as Omotenashi. As a result, many features of Galvanduque's design take cues from Japanese culture, liked the striated white facade of the building based on origami paper folds. Accommodation is arranged around a slender courtyard outfitted like a Japanese garden. A glazed roof tops the space to provide plenty of natural light to stone benches

Japanese house by Kouichi Kimura includes white-tiled courtyard for yoga

A chimney-like tower covered in white tiles rises in the courtyard of this house in Shiga, Japan , which architect Kouichi Kimura has designed for the owner to host yoga classes. Located away from a busy main road, the two-storey residence combines a large block with a smaller one that appears to be slotted on top. There are no windows on the street-facing walls to offer plenty of privacy from passerbys. The only opening is the front door of the house, which provides a view straight through to the courtyard. Kouichi Kimura of Japanese studio Form designed the ground floor of the 112-square-metre house as the primary space for the resident to teach the meditative practice of yoga. The living room and the L-shaped courtyard arranged around it are linked by pair of sliding glass doors. They can be opened fully to provide one space, or closed to create separate areas. "Linkage between exterior and interior spaces were identified to realise a living space that expand

Architectural News

Search This Blog